Between Heaven and Earth I
Fine Art Giclée Print
Photographed on Kodak 120 film, ‘Between Heaven and Earth I” of the series “Between Heaven and Earth” was awarded the title of Honourable Mention for the 2024 International Photography Awards in Analog/ Film: Landscapes.
Smooth matte, 100% cotton hot press paper
Acid-free, neutral pH
Archival ink
Signed and titled on border in pencil
Unmounted, unframed, printed with a white border
Available in 8x10”, 12x15”, and 16x20” dimensions (paper size)
Please click to view the full image. All prints are made to order and therefore are final sale. 8x10” prints are shipped in photo mailers. 12x15” and larger prints are shipped rolled in mailing tubes.
Fine Art Giclée Print
Photographed on Kodak 120 film, ‘Between Heaven and Earth I” of the series “Between Heaven and Earth” was awarded the title of Honourable Mention for the 2024 International Photography Awards in Analog/ Film: Landscapes.
Smooth matte, 100% cotton hot press paper
Acid-free, neutral pH
Archival ink
Signed and titled on border in pencil
Unmounted, unframed, printed with a white border
Available in 8x10”, 12x15”, and 16x20” dimensions (paper size)
Please click to view the full image. All prints are made to order and therefore are final sale. 8x10” prints are shipped in photo mailers. 12x15” and larger prints are shipped rolled in mailing tubes.
Fine Art Giclée Print
Photographed on Kodak 120 film, ‘Between Heaven and Earth I” of the series “Between Heaven and Earth” was awarded the title of Honourable Mention for the 2024 International Photography Awards in Analog/ Film: Landscapes.
Smooth matte, 100% cotton hot press paper
Acid-free, neutral pH
Archival ink
Signed and titled on border in pencil
Unmounted, unframed, printed with a white border
Available in 8x10”, 12x15”, and 16x20” dimensions (paper size)
Please click to view the full image. All prints are made to order and therefore are final sale. 8x10” prints are shipped in photo mailers. 12x15” and larger prints are shipped rolled in mailing tubes.
In the early hours of the morning at the Gap of Dunloe, a glacial mountain pass forged between the MacGillycuddy Reeks and Purple Mountain. A thick mist had settled into the pass and my hiking partner and I found ourselves the sole witnesses to a glorious collision of sun and fog.
In an effort to ground myself in the physical reality of the landscapes I witnessed and bring a tangibility to the images, I made the conscious decision to photograph my entire trip to Ireland on film.